I am so pleased to be back in California, showing my guitars to the world! The Namm Show is the biggest and most important trade show on earth for anyone in the musical instrument building world. I’ll be exhibiting four new instruments this year, in the Boutique Guitar Showcase, booth 4610. I hope to see you there! and if you can’t visit in person, keep an eye on this page, I’ll be introducing a new one each day for the rest of this week and weekend.
Two New Guitars
To coincide with The NAMM Shows “Believe in Music Week”, I decided to unveil two of my latest creations at the same time. On the left, Madeleine, a sweet little morsel of headless archtop guitar. On the right, Char, with a truly unique and dramatic appearance and texture. Clic on the pics to learn more about them!
New Guitar: "Red Velvet"
Introducing a new guitar, in a whole new section of my Gallery: Mostly Flattop Guitars. Red Velvet is the culmination of a years-long process to create a modern dreadnought guitar that is more comfortable to play, and sounds balanced, not boomy. Made of deliriously red African Padauk contrasted with pale Engelmann Spruce and intense African Blackwood, it looks as dramatic as it sounds.
Click on the pic for more info.
Designs
I've just got a really interesting new commission to build another ultramodern headless seven-string guitar. Lots of fun, but it's always challenging to come up with yet another original design. If you've ever wondered where it starts, here you go.
After discussing with the client what their needs and desires are, I lay out the essentials. These are the parts that have clealy defined parameters- mostly this means the fretboard width and length, the bridge position, and the edges that are needed to hold the guitar comfortably, like this:
I find it much the best to draw full size. Once the basics are in place, the creative part begins. Drawing with soft pencil and eraser, I home in on a shape that might work:
More erasing, more refinement. This particular guitar will be semi-hollow, too. I imagine the way it will look with a contrasting top layer, and sketch in where the wood will be carved away for comfort, exposing the boy wood underneath. Here's what I came up with:
You can see the two layers, as well as the area in the upper left of the body where the hollow in the body is exposed, creating a soundhole. I thought that was pretty clever.
By this point I've got a pretty good 3D rendering of the instrument in my own head. To help the client visualize though, I do a few drawings of some of the details:
Turns out that four years of Fine Arts in University weren't a complete wast of time, though to be fair to myself they didn't teach this kind of stuff. Next step, converting these flat drawings into a real guitar! Stay tuned...